柏林戲劇節在中國-德國巴登州卡爾斯魯厄國家劇院《國家劇院的絆腳石》
Theatertreffen in China: Badisches Staatstheater Karlsruhe presents “Stolpersteine Staatstheater (Tripping Stones State Theatre)
演出時間：2017年7月7日19:30
2017年7月8日14:30
2017年7月8日19:30
演出場館：北京天橋藝術中心 多功能劇場
演出票價：200
演出時長： 120分鐘（無中場休息）
演出類型： 戲劇
購票電話：400-600-4100
利用德國巴登州卡爾斯魯厄國家劇院的員工檔案，導演漢斯·維爾納和戲劇構作雷吉娜·杜拉重現了該劇院1933年后，反猶太人歧視和解雇左翼自由主義戲劇家的過程。演員和觀眾圍坐在一張巨大的工作桌周圍。演員向現場目擊者念著檔案、新聞報道、回憶錄和采訪。周而復始的，他們加入了簡單的表演。我們聽他們講述在卡爾斯魯厄，猶太演員、猶太提詞員以及藝術總監是如何被解雇、逮捕、流放以及自殺的。每位藝術家并非被簡單地處理成為受害者形象，而是被精煉、飽滿地塑造出來。戲劇作品展現了一套官僚程序如何通過建立周密的司法程序，得以進行社會排斥和種族滅絕；如何通過引用相關法律條款、通過將歧視暗植入當地納粹報紙的煽動性文章中，將這些程序合法化；還有政府官員發出那些信函，告知猶太提詞員對她的解聘是合法的，看上去是何等的禮貌、形式上完美無缺……所有這些細節使這部戲劇作品像一部教科書似的告知人們，國家官僚體制如何“公正”地運行。
作為“最值得關注的”十部作品之一，《國家劇院的絆腳石》受邀參加2016年柏林戲劇節。在由吳氏策劃主辦、北京德國文化中心·歌德學院（中國）協辦以及大眾（中國）贊助的“2017柏林戲劇節在中國”項目框架下，巴登州卡爾斯魯厄國家劇院攜《國家劇院的絆腳石》來京演出，并通過豐富多彩的公眾活動與觀眾交流。
Using staff records of Staatstheater Karlsruhe, director Hans-Werner Kroesinger and dramaturg Regine Dura reconstructed the process of anti-Semitic discrimination and the dismissal of left-wing and liberal theatre artists after 1933. Actors and audience sit together at a large work desk. The actors read from files, newspaper reports, memoirs and interviews with contemporary witnesses. Repeatedly, they transition into brief passages of acting. We hear how in Karlsruhe, Jewish actors, a Jewish prompter and the artistic director were dismissed, arrested, driven into exile and to suicide. Individual artists are not reduced to mere victims, but presented in terse, concentrated portraits. The bureaucratic procedure which provided a detailed set of legal regulations for social exclusion and the preparation of a genocide, the legitimation by procedures that liked to conceal this discrimination in inciting articles in the local NS-paper by citing the pertinent legal clause, the polite, formally always correct letters in which a chief councilor informed the Jewish prompter that her dismissal was lawful – all these make the production into a lesson about the impartial operation of a state bureaucracy.
As one of the ten most noteworthy German-speaking theatre pieces in the previous season, “Stolpersteine Staatstheater (Tripping Stones State Theatre)” was invited to the Theatertreffen 2016 and will now be presented with an extensive program in July in Beijing. “Theatertreffen in China 2017” is realized by Wu Promotion in cooperation with the Goethe-Institut China and sponsored by Volkswagen China.
主創 Cast
《國家劇院的絆腳石》
聯合出品人 維羅妮卡·巴赫費舍爾
安東尼婭·莫爾
喬納森·布魯克邁耶
貢娜·施密特
導演 漢斯-維爾納·克羅辛格
舞美、服裝和視頻 羅伯·穆南
音樂 丹尼爾·多實
藝術合作 雷吉納·杜拉
戲劇構作 安娜莉娜·肖特
Co-producer VERONIKA BACHFISCHER
ANTONIA MOHR
JONATHAN BRUCKMEIER
GUNNAR SCHMIDT
Director HANS-WERNER KROESINGER
Set design,contume,vedio ROB MOONEN
Music DANIEL DORSCH
Arts Cooperation REGINE DURA
Dramaturgie ANNNALENA SCHOTT
藝術總監 General Artistic Director
彼德·施布勒 Peter Spuhler
彼德·施布勒出生于德國柏林，在奧地利維也納著名的馬克思·萊因哈特研修班學習導演和戲劇構作。在擔任戲劇傳奇人物喬治·塔柏里的助手后，1990年至1991年，他在維也納劇院擔任戲劇構作，后擔任自由舞臺導演。1993年他在德國阿爾特馬克劇院/薩克森·安哈爾特州立劇院的兒童青年劇院擔任導演。1998年他進入羅斯托克人民劇院，在此他出任主任戲劇構作，后成為戲劇部的導演。
2005年至2011年，彼德·施布勒在海德爾堡戲劇和交響樂團擔任藝術總監，和他的團隊創造了造訪人數和票房收入的記錄，將觀眾擴展到更年輕的群體中。2010 年，劇院因為對視力和聽覺殘疾的歌劇特殊觀眾做出的努力，被評選為“全國最有創意的365個地點之一”。從巴洛克歌劇到推崇新劇本寫作的“海德堡集萃”戲劇節，劇院通過獨特、革新的演出季策劃獲得了聞名全國的聲譽。跨界項目“希望號角”（Das neue Wunderhorn）獲得了“新聽覺獎”（Junge Ohren Preis），該項目由德國聯邦文化基金支持，在音樂總監科尼利厄斯·梅斯特和藝術總監楊 · 林德斯的帶領下，將海德堡400 多名市民聚集在一起。此外，戲劇部還發起了一個全新的項目，展開與以色列特拉維夫拜特萊辛劇院長達兩年、分六部分的合作。至2012年，施布勒通過各種方式完成了劇院帶耗資數百萬歐元的翻新與重建工作。
2011年至2012年演出季開始，彼德·施布勒擔任德國巴登州卡爾魯斯厄國家劇院的藝術總監。為拓展藝術領域和觀眾群，除了歌劇、音樂會、芭蕾、戲劇部，他又增設了兩個新部門，為兒童和青年設立“青年劇院”，為所有市民設立“人民劇院”。通過不斷改編歌劇，這里成為“全國創意之地”。劇院獲得了最佳歌劇演出獎。有著350 多年歷史的巴登交響樂團獲得了最佳音樂會獎。國家劇院的藝術家曾多次榮獲德國戲劇大獎“浮士德獎”。2014年，米菲·安德雷德獲得最佳舞蹈演員獎。施布勒和他的團隊發起了很多與外國的合作，其中有很多是安特衛普、布魯塞爾、根特、布拉格、舊金山和特拉維夫的知名歌劇院。戲劇部曾與法國、羅馬尼亞、第比利斯和特拉維夫的劇院合作。大多涉外項目是由歌德學院和聯邦文化基金支持。
彼德·施布勒是德國戲劇構作協會的常任理事，于2007年至2011年出任主席，同時是德國表演藝術學院、法國歌劇導演協會、法國戲劇經理協會和“歐洲歌劇”協作網絡的理事。施布勒還經常擔任客座教授進行教學，也頻繁在一些評委會和咨詢機構擔任職務。
Peter Spuhler was born in Berlin, Germany, and studied directing and dramaturgy at the prestigious MaxReinhardt-Seminar in Vienna, Austria. After assisting theatre legend George Tabori, he worked 1990/91 as dramaturge at the Schauspielhaus Wien and subsequently as free lance stage director. In 1993 he became director of the Children and Youth Theatre at the Theater der Altmark / Landestheater Sachsen Anhalt-Nord in Stendal, Germany. In 1998 he moved to the Volkstheater Rostock, where he started as head dramaturg and later became director of the theatre department.
From 2005 to 2011, Peter Spuhler was artistic director of the Theater & Orchester in the city of Heidelberg. He and his team achieved record numbers of visitors and revenue and reached out to new and younger audiences. In 2010, the theatre was awarded as one of “365 places in the country of ideas” for making opera accessible for the visually and aurally impaired. The theatre gained nationwide reputation with an exceptional and innovative programme, ranging from baroque opera to the festival of new drama, “Heidelberger Stückemarkt”. The first “Junge Ohren Preis” was awarded for the interdisciplinary project “Das neue Wunderhorn”, funded by the Federal Cultural foundation and bringing together over 400 citizens of Heidelberg under the musical direction of Cornelius Meister and the artistic direction of Jan Linders. The theatre section initiated a six part, two year partnership with the Beit Lessin Theatre in Tel Aviv, Israel. Spuhler brought a multimillion renovation and reconstruction project under way that was completed in 2012.
Starting with the season 2011/12, Peter Spuhler is general artistic director of the Badisches Staatstheater Karlsruhe. Widening the artistic scope and the audiences, he added two new departments to opera, concert, ballet and theatre, establishing the “Junges Staatstheater” for children and youth and the citizen participation department “Volkstheater”. With the project of a recycling opera, it became a “place in the country of ideas”. The theatre received the prize for the best opera programme. The 350+ year old Badische Staatskapelle was awarded the price for the best concert programme. Several times, artists of the STAATSTHEATER were nominated for the “Faust”, the German theatre awards. In 2014, Bruna Andrade won the prize as best dancer. Spuhler and his team initiated many partnerships with theatres abroad, among them coproductions with renowned opera houses in Antwerpen, Brussels, Ghent, Prague, San Francisco, and Tel Aviv. The ballet has performed in Bangkok, Basel and Winterthur. The theatre section has collaborated with theatres in France, Romania, Tbilisi and Tel Aviv. Most foreign activities were sponsored by the Goethe-Institut and the Federal cultural foundation.
Peter Spuhler was a long-standing member of the board of the Dramaturgische Gesellschaft and served as its chairman from 2007 to 2011. He is a member of the Deutsche Akademie der Darstellenden Künste, of the Chambre Professionnelle des Directeurs d′Opéra, of the French society of theatre managers and member of the board of the European opera network “Opera Europa”. Regularly, Spuhler teaches as a guest lecturer and is a part of various juries and advisory boards.
導演 Director
漢斯·維爾納·克羅辛格 Hans-Werner Kroesinger
1962 年出生于波恩。曾就讀于吉森大學應用戲劇學院，在安杰·維爾特（Andrzej Wirth）和漢斯-蒂斯·雷曼（Hans-Thies Lehmann）的指導下學習戲劇、劇場和媒體專業。兩年后克羅辛格跟隨羅伯特·威爾遜（Robert Wilson），并擔任副導演與編劇。他還參與了包括《哈姆雷特機器》在紐約的一系列新劇目制作。1989年，作為海納·穆勒（Heiner Müller）的藝術團隊成員參與《哈姆雷特/哈姆雷特機器》，在柏林德意志劇院進行劇目制作。
1993年起，他開始在各大知名城市劇院與國家演出機構進行個人劇目制作，如柏林劇團，斯圖加特國家劇院，柏林馬克西姆·高爾基劇院以及一些獨立院團，特別是柏林河畔赫貝爾劇院（HAU）、索非婭大廳劇場 、“徑向系統”、柏林波德韋爾劇院、杜塞爾多夫自由劇院論壇（FFT）、德累斯頓赫勒勞節日劇院（Hellerau Festival Hall）以及蘇黎世Gessnerallee劇院等。
克羅辛格的作品曾受邀參加漢堡“獨立劇院中的政治”（2003年，2007年與2011年），國際戈澤（Int. Keuze，2007年于鹿特丹）以及“沖動”（Impulse，2009 年于北萊茵-威斯特法倫州）等著名獨立戲劇節。2007年，克羅辛格獲得由柏林州頒發的格林兄弟獎，褒獎他在柏林帕考爾劇院制作的《兒童轉移計劃》所取得的成就。
Hans-Werner Kroesinger was born in Bonn in 1962. He studied drama, theatre and media from 1983 to 1988 under Andrzej Wirth and Hans-Thies Lehmann at the Institute for Applied Theatre Studies of the Justus Liebig University Gie？en. In 1987, while he was still a student, Kroesinger began working as an assistant director and dramaturg for Robert Wilson, a position he held for two years. He was involved in Wilson’s productions of Hamletmachine in New York, Salome in Milan and The Forest in Berlin. In 1989, he was a member of the creative team for Heiner Müller’s production of Hamlet/ Hamletmachine at the Deutsches Theater Berlin.
Since 1993, he has directed his own productions at prestigious municipal and state-funded theatres, such as the Berliner Ensemble, the Staatstheater Stuttgart, the Bayrisches Staatsschauspiel and the Maxim Gorki Theater Berlin, as well as on the independent scene, above all at the Hebbel am Ufer (HAU), the Sophiensaele, Radialsystem, the Staatsbank and Podewilin Berlin , the Forum Freies Theater (FFT) in Düsseldorf, the Festival Theatre at Dresden-Hellerau and the Theaterhaus Gessnerallee in Zürich.
Kroesinger has been invited to take his works to high-profile national and international festivals, including Politics in the Independent Theatre (Hamburg, 2003), Cultura Nova (Herleen, 2008) and Impulse (North Rhine-Westphalia, 2009). In 2007, the director was awarded the Brothers Grimm Prize of the Land of Berlin for his Kindertransporte, a production for children and young people at the Theater an der Parkaue in Berlin.
德國巴登州卡爾斯魯厄國家劇院
劇院簡介Introduction Badisches Staatstheater Karlsruhe
德國巴登州卡爾斯魯厄國家劇院前身可追溯至18世紀的公爵宮廷劇院，現在，劇院由6個機構組成：演出歌劇和音樂會的巴登國家管弦樂團（世界上最古老管弦樂團之一）、演出芭蕾舞劇的國家芭蕾舞團、演出傳統和創新戲劇的戲劇院、為兒童和青年項目而設立的青年國家劇院，以及最新成立的致力于實驗劇的人民劇院。前五個劇院均有自己的演員，管弦樂隊99人，合唱團50人，芭蕾獨舞、歌劇、戲劇和青年部演員各30人左右。加上技術人員和行政人員，永久雇員超過700人。這使卡爾斯魯厄國家劇院成為世界最大綜合劇院之一，同時也是該地區雇員國籍最多的劇院之一。劇院雇員來自40多個國家。大多數歌劇演出都有英語字幕。
多彩優質的演出和卡爾斯魯厄國家劇院的盛名吸引了來自萊茵河兩岸、普拉蒂納特、法國、卡爾斯魯厄的觀眾，德國最高參議院的官員也是座上賓。每年春季舉辦的漢德爾藝術節吸引了全歐洲的歌劇愛好者。
彼得·施布勒在2011年至2012年任藝術總監。他和他的部門總監團隊一起，向當代作品和話題、城市和新觀眾開放了國家劇院。新作品除了瓦格納歌劇和一系列法國歌劇外，每年劇院還制作政治歌劇，例如美國約翰·亞當斯的《原子博士》、波蘭米奇斯瓦夫·魏因貝格創作的關于屠殺幸存者見到集中營守衛的《旅客》，2017年世界首演的以色列作曲家多爾曼關于瓦格納家族的《瓦恩弗里德》。國家芭蕾舞團創作了敘事芭蕾劇，最新一部作品是關于可可·香奈兒和伊戈爾斯特·拉文斯基《小黑裙》、巴西舞者、編舞創作雷吉納爾多·奧利維拉創作的《安妮·弗蘭克》。戲劇院演出了彼德·史路特戴、克勞斯·彼德·史路特戴、克勞斯·韋萊特、赫爾曼·黑塞、韓炳哲的哲學劇本。埃爾弗里德··耶利內克、彼得·漢德克、沃爾夫拉姆·洛茨、尼斯-姆米斯托克曼的當代戲劇，以及關于癡呆癥、安樂死、公民自由、美國國家安全局斯諾登等社會問題的劇本。
新成立的針對兒童和青年的實驗參與劇院將國家劇院和城市聯系在了一起，產生了新的觀眾。項目重點放在學校、學生、特殊群體以及弱勢群體。近期國家劇院正在創作難民題材的演出。每年四個場館和相關活動中，總計有超過三十三萬觀眾觀看近900場演出。35部新創劇目和50部復排劇目每晚在德國劇目體系中輪番上演。這個體系擁有大量的觀眾基礎。平均每人每戲劇季觀看10部歌劇、芭蕾和戲劇。
卡爾斯魯厄國家劇院是兩年一屆的“歐洲文化日藝術節”的聯合制作方。自2013年起，最大的為歐洲年輕導演而設的藝術節——普雷米埃藝術節，在國家劇院和法國斯特拉斯堡輪流舉辦。近日，德國的演出劇目兩次在“德國——創想的沃土”比賽中獲獎，一次是兒童歌劇《羅賓漢》，另一次是憑借《TheaBib&Bar》。白天，寬敞的大廳向學生開放,為他們提供一個免費的學習空間。作為過去12個月最值得關注的十部作品之一，《國家劇院的絆腳石》受邀參加了2016柏林戲劇節，即德國最具聲譽的戲劇節。
國家劇院是歐洲歌劇和歐洲戲劇協會中活躍的成員。近日受邀到瑞士和泰國巡演，2016年10月將參與曼谷國際藝術節中舞蹈和音樂的演出。曾多次受邀到韓國大邱演出，近期在土耳其伊斯坦布爾組織了西門子歌劇青年歌手大獎賽。
戲劇院曾和羅馬尼亞、特拉維夫、曼谷的同仁聯合制作新劇目。正在籌備和格魯吉亞、伊朗的合作。曾受邀到美國、捷克、法國、挪威、波蘭、瑞士以及中國的演出。這些活動大多由歌德學院和德國聯邦文化基金會支持贊助。
國家劇院的主體建筑落成于1975年，將于2019年開始進行主體翻修和擴建，為期10年，花費數百萬歐元，由巴登-符騰堡州和卡爾斯魯厄市資金支持。維也納注冊建筑設計師Delugan & Meissl競標成功，將根據21世紀劇院的需求翻新建筑。
Mentioned in the early 18th century as the ducal court theatre, the BADISCHES STAATSTHEATER KARLSRUHE today encompasses six departments: OPERA and CONCERT with the BADISCHE STAATSKAPELLE, one of the oldest orchestras in the world, as well as ballet performances by the STAATSBALLETT, classical drama and new plays by the SCHAUSPIEL (theatre), a program for children and youth by the JUNGES STAATSTHEATER and the newly founded experimental participatory department: VOLKSTHEATER. The first five departments have their own ensembles, with the orchestra numbering 99, the chorus 50, and around 30 soloists each for ballet, opera and theatre and youth section combined. With technicians and administrative staff, the number of permanent employees adds up to over 700 and makes the STAATSTHEATER one of the biggest multi-department theatres worldwide – and one of the most diverse employers in the region: Its employees have their origin in over 40 nations. Most opera performances are surtitled in English.
The varied program and the reputation for high quality of the STAATSTHEATER draws audiences from both sides of the Rhine, from the Southern Palatinate and from France to Karlsruhe, the former capital of the state of Baden and the seat of Germany’s supreme courts. The INTERNATIONAL HAENDEL FESTIVAL, held every spring, has appeal to baroque opera lovers from all over Europe.
Peter Spuhler took over the general artistic direction in the 2011/12 season. With his team of department directors, he has managed to open the STAATSTHEATER to contemporary works and topics, to the city and to new audiences. Besides new productions of all Wagner operas and a line of French operas, the STAATSOPER is producing one political opera per year, e.g. Doctor Atomic by the American John Adams, The Passenger about a Holocaust survivor meeting her guard by Mieczys？aw Weinberg from Poland, and, in 2017 as world premiere and commissioned work, Wahnfried about the Wagner family by Israeli composer Avner Dorman. The STAATSBALLET has commissioned new narrative ballets, most recently Das kleineSchwarze about Coco Chanel and Igor Stravinsky and Anne Frank by young Brazilian dancer and choreographer Reginaldo Oliveira. The SCHAUSPIEL has staged philosophical texts by Peter Sloterdijk, Klaus Theweleit, Hermann Hesse and Byung-Chul Han, contemporary plays by, among others, ElfriedeJelinek, Peter Handke, Wolfram Lotz and Nis-MommeStockmann, and devised texts on socio-political topics as dementia, euthanasia, civil liberties and the NSA and Edward Snowden.
The newly founded departments for children and youth and participatory theatre have linked the STAATSTHEATER to the city and created new audiences. Much emphasis is put into educational programs reaching out to schools, students, special interest groups and disadvantaged citizens. Currently, the STAATSTHEATER is developing programs for and with refugees. All in all, now more than 330.000 people annually watch around 900 performances in four venues plus additional events. The 35 new productions and 50 re-runs are performed in the German repertory system with a different program every night. This system is supported by a large subscriber base; most of the subscribers watch at least 10 shows of opera, ballet and theatre per season.
Every two years the STAATSTHEATER KARLSRUHE is one of the co-producers for the EUROP？ISCHE KULTURTAGE (European Culture Days) festival. Since 2013, PREMIèRES, the largest festival for young European directors, is hosted here in an annual rotation system with the National Theatre and Le Maillon in Strasbourg, France. Recently, the STAATSTHEATER has been awarded the title of best opera house and best concert program in Germany. It has been awarded twice in the context of the "Germany - Land of Ideas" contest, once for the children |
