2017北京舞蹈雙周 - 焦點(diǎn)舞臺(tái)節(jié)目6
《孤獨(dú)/莫扎特安魂曲》 Solitude/ Mozart’s Requiem 編舞:許一鳴、萊納·菲斯托 Choreography: XU Yi-ming, Reiner FEISTEL 演出:開(kāi)姆尼茨劇院舞團(tuán)(德國(guó)) Presented by: Ballet Chemnitz (DE) 演出日期/時(shí)間:2017.07.30(周日)20:00 Performance Date/Time: July 30th, 2017 (Sunday) 20:00 演出場(chǎng)館:北京天橋藝術(shù)中心大劇場(chǎng) Performance Venue: Grand Theater, Beijing Tianqiao Performing Arts Center 演出票價(jià): ¥300 / 220 / 160 / 80 Ticket Info: ¥300 / 220 / 160 / 80
音樂(lè):沃爾夫?qū)ぐⅠR德烏斯·莫扎特 Music: Wolfgang Amadeus MOZART 服裝:馬丁·魯普雷希特 Costume: Martin RUPPRECHT
節(jié)目簡(jiǎn)介:
《孤獨(dú)》 中國(guó)編舞家許一鳴應(yīng)邀為德國(guó)開(kāi)姆尼茨劇院舞團(tuán)編創(chuàng)的首部作品。《孤獨(dú)》的靈感來(lái)自美國(guó)表現(xiàn)主義畫(huà)家愛(ài)德華·霍普的繪畫(huà)。霍普善于捕捉人物處于戲劇性的瞬間,人物定格加上微妙光影,散發(fā)出有趣的內(nèi)在張力。編舞精心設(shè)計(jì)的肢體語(yǔ)言,更加凸顯其中的戲劇性。作品在德國(guó)開(kāi)姆尼茨大劇院首演并廣受好評(píng)。
Solitude This is the first work Chinese choreographer XU Yi-ming has created for the company. Solitude was inspired by the American expressionist painter Edward HOPPER’s paintings. HOPPER was known at capturing the dramatic moment of a person, freezing the moment with subtle light and shade, emitting an interesting inner tension; XU highlights this through the body. The piece premiered at the Grand Theater in Chemnitz, Germany.
編舞介紹:
許一鳴 出生于河北省張家口市。1997年考進(jìn)北京潤(rùn)良舞蹈學(xué)校;2001年進(jìn)入廣州市歌舞團(tuán),半年后加入北京現(xiàn)代舞團(tuán)。2005年成為雷動(dòng)天下建團(tuán)團(tuán)員。2013年成為雷動(dòng)天下培訓(xùn)中心資深教師。在此期間,曾受邀參加許多國(guó)內(nèi)外大型演出項(xiàng)目,先后赴澳大利亞、奧地利、加拿大、法國(guó)、德國(guó)、以色列、意大利、韓國(guó)及美國(guó)等國(guó)家參加文化交流及巡演。主要編舞作品包括:《當(dāng)我們遇見(jiàn)孔子》、《獨(dú)自等待》、《再見(jiàn)蝸牛》、《頭撞地》、《孤獨(dú)》等。
XU Yi-ming Born in Zhangjiakou, Hebei Province, China, XU Yi-ming enrolled in Beijing Runliang Dance School in 1997. He joined Guangzhou Song and Dance Company in 2001 and later with Beijing Modern Dance Company in the same year. In 2005, XU became a founding member of BeijingDance/LDTX, and started teaching at BeijingDance/LDTX Training Center in 2013. XU has participated in many overseas cultural projects and performed in Australia, Austria, Canada, France, Germany, Israel, Italy, South Korea, and the USA. XU’s major choreographies include: The Encounter of Confucius, Waiting Alone, The Snail, Head Against Earth, Solitude.
節(jié)目簡(jiǎn)介:
《莫扎特安魂曲》 音樂(lè)來(lái)自偉大作曲家莫扎特生前的最后一部作品,創(chuàng)作于1791年的維也納。在莫扎特不幸離世時(shí)曲子還未完成,但卻是莫扎特最為后世所愛(ài)戴的樂(lè)曲之一。《莫扎特安魂曲》最后由約瑟夫·埃依布拉和弗朗茲·克薩韋爾·蘇斯邁爾完成。德國(guó)編舞家萊納·菲斯托以充滿(mǎn)詩(shī)意的舞蹈設(shè)計(jì)向莫扎特致敬,借助死亡來(lái)歌頌生命。
Mozart’s Requiem This was the last piece the great composer Mozart was composing but did not finish before his death in 1791 in Vienna. But Mozart’s Requiem has become one of the most well-known and beloved pieces for Mozart. The work was later completed by Joseph Leopold EYBLER and Franz Xaver SüSSMAYR. German choreographer Reiner FEISTEL pays tribute to Mozart with his poetic dance movements, praising life with death.
編舞介紹:
萊納·菲斯托 年輕時(shí)于德國(guó)萊比錫音樂(lè)學(xué)院學(xué)習(xí)舞蹈,畢業(yè)后于德累斯頓森柏歌劇院擔(dān)任舞者。1996年他于歌劇院發(fā)表了第一個(gè)作品,在1997年被邀請(qǐng)成為薩克森藝術(shù)宮的芭蕾舞總監(jiān),編創(chuàng)了許多交響芭蕾作品,并曾獲得德國(guó)拉德博伊爾藝術(shù)獎(jiǎng)。2013年萊納·菲斯托出任開(kāi)姆尼茨劇院舞團(tuán)的首席編舞和藝術(shù)總監(jiān)。
Reiner FEISTEL Received his ballet education in Leipzig, Germany, Reiner FEISTEL became a soloist at the Semper Opera in Dresden, Germany. In 1996, FEISTEL created his first piece for the Semper Opera. In 1997, he became ballet director of Landesbühne Sachsen where he created many full-length ballet and sinfonia works. FEISTEL was honoured with the Art Prize of Radebeul. In 2013, FEISTEL became artistic director and chief choreographer of Ballet Chemnitz.
舞團(tuán)簡(jiǎn)介:
開(kāi)姆尼茨劇院舞團(tuán) 開(kāi)姆尼茨劇院舞團(tuán)成立于1909年。成立初期,舞團(tuán)只有幾名舞者參與歌劇演出。到了二十年代時(shí)期,由于知名舞蹈家的加入和推出新創(chuàng)作,讓舞團(tuán)的演出備受重視。然而,第二次世界大戰(zhàn)的爆發(fā)迫使其暫停運(yùn)作。舞團(tuán)于戰(zhàn)后重建,如今由藝術(shù)總監(jiān)兼首席編舞萊納·菲斯托和總經(jīng)理兼女首席薩布麗娜·薩多斯卡攜手運(yùn)營(yíng),以現(xiàn)代方式詮釋芭蕾,同時(shí)以交響樂(lè)創(chuàng)作為藝術(shù)重點(diǎn)。 2015年,薩布麗娜在開(kāi)姆尼茨舉辦了第一屆國(guó)際當(dāng)代舞蹈節(jié),并通過(guò)一年一度的“芭蕾公益演出”為當(dāng)?shù)胤怯麢C(jī)構(gòu)提供援助。
Ballet Chemnitz Ballet Chemnitz was founded in 1909 with a long history. In the early days, there were only a handful of dancers participated in the performances. It was not until the joining of well-known dancers and introduction of new creations in the 1920’s that Ballet Chemnitz received attention. However, the company was forced to suspension during World War II. The company was rebuilt after the war and now operated by artistic director and chief choreographer Reiner FEISTEL and general manager and CEO Sabrina SADOWSKA, and is aiming to interpret ballets in a modern way. In 2015, SADOWSKA held the first International Contemporary Dance Festival in Chemnitz and supported the local non-profit organizations through the annual "Ballet Public Performance".
www.theater-chemnitz.de |